Passport Sophia Glock - By clicking the "Register" button, I confirm that I have read and agree to Hachette Book Group's Privacy Policy and Terms of Use.
I've been writing comics from the heart for fifteen years, and I've always believed that they're the perfect medium for memoir, and autobiographical comics have a long history to prove it. The comics are visual and visceral, encouraging the raw vulnerability required of a memoirist. Before this book, however, I avoided drawing personal stories, just as I avoided telling certain stories to my friends.
Passport Sophia Glock
I am not a mysterious person by nature. Anyway, I'm oversharing. But there were a few events, especially in childhood, that raised many uncomfortable questions. I taught myself a script to repeat about my background that I had developed over the years with advice from my parents: twists, lines, subject changes, half-truths. So, while I love Alison Bechdel and Marjane Satrapi's raw autobiographical comics, I've avoided sharing my experiences. When I tried to tell these stories, they felt uncomfortable. The voice always seemed flat, didactic and overly knowledgeable. I tried to talk about myself, but instead I wrote about fairy tales, magic, girls in towers. I wrote about dreams and monsters, and even those closest to me quietly told me that some of my experiences didn't measure up to the fantastical details of the stories I was making up. I knew they were right, that as a comic book writer I should at least try to explore my rare upbringing, but I didn't know how to reconcile my discomfort with discussing family secrets with the memoirist's duty to tell the truth.
Passport: A Graphic Memoir
For me. One day I put chocolate on my new nightstand, my new apartment, my new city. I had just gotten married and was starting a new chapter in my life, surrounded by the novelties of my mature life and realizing that this chocolate bar, this drawer, was a continuation of a rare moment that connected me to my past. . This connected me to my mother, who also kept chocolates on her bedside table. I was well aware of her habit of putting Godiva on her bed because I used to pick up trash whenever I could when I was younger. Of course, I didn't steal the chocolate, I spied on it, given how the act of espionage defined my mother's life.
This memory inspired a short comic. After finishing it, I realized that I had found a voice that would allow me to write the story I had been dancing for so long. I finally found the voice of my young self, the voice of a young woman
What is it; the voice of a man in a liminal state before the curtain rises. I found my way with this voice. All I had to do was listen to this girl and she would show me how to write my childhood. His voice was my truth and now I knew I could write the book that I would be
I'm still uncomfortable discussing the details of my parents' careers because I know what they went through. But the basic fact of my book and my family's life is that they worked undercover, in intelligence. Their lives revolve around gathering classified information. Their work was secret, their money was secret. This secretive culture has spread to our family life. Having what many parents call a "spy" meant that I was exposed to the nature of espionage from an early age. They immediately became keen observers of their children, receiving information from us, and we were not happy modeling their trade: how to observe and confuse. They taught us how to reveal what is hidden by hiding the most important parts of ourselves. This is a separate department. It is also a way of life.
Lbyr At #alaac21
Writing a memoir is difficult because you're trying to capture a time in your life when you had less perspective, but when you write, you can't forget what you've learned. The basis of my book, being the child of parents who worked in intelligence prepared me for the job. My parents' work and life are no different. The practice of surveillance, extracting sensitive personal information from unsuspecting targets, was something they spent every waking minute doing. As a teenager, I turned this ability to my advantage. Later, when I went back to my school years to write about them, those skills came in handy again. The ability to dissect, analyze, observe and record has made me the artist I am today and created my work.
Although the basis of my book is based on the peculiar nature of my childhood, the process of observation, discovery and self-realization is not entirely unique. We all have to face the secrets of our families and communities. What we do with that information leads us to who we are. As a teenager, I often felt compelled to move and find my place in the world, but it wasn't just because of my experiences. We all have to come to terms with our origins, but family is not our destiny. Our place in the world is determined not only by what we are given, but also by what we give up, and perhaps most importantly, what we choose to take with us into our future.
Debut talent Sophia Glock reveals her parents were CIA agents when she was a teenager.
Young Sofia has lived in so many countries that she cannot count. Sofia, who lives with her family in Central America because of her parents' work, feels like an American living abroad, as she has hardly spent her life in America.
Sophia Glock On Passport
Everything changes when she reads a letter she never wanted to see and discovers the secret of her parents. They are not what they say they are. They work for the CIA. As Sophia tries to make sense of the news and the web of lies around her, she begins to question everything. The effect this has on Sofia's well-being and her understanding of the world leads to page after page of exploration of lies and double lives. Debut talent Sophia Glock's incredibly vivid memoir reveals her parents were agents when she was a teenager. For the CIA.
Young Sofia has lived in so many countries that she cannot count. Sofia, who lives with her family in Central America because of her parents' work, feels like an American living abroad, as she has hardly spent her life in America.
Everything changes when she reads a letter she never wanted to see and discovers the secret of her parents. They are not what they say they are. They work for the CIA. As Sophia tries to make sense of the news and the web of lies around her, she begins to question everything. The effect this has on Sofia's well-being and her understanding of the world leads to page after page of exploration of lies and double lives.
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